Rent accommodation in Castellón de la Plana

El Fadrí is a bell tower in the city of Castellón de la Plana, Spain. It is municipal property and is characterized because it is separated from the cathedral, unlike other bell towers that are integrated into the same ecclesiastical building. Located in the Plaza Mayor, in the center of the city, next to the church of Santa María and the town hall. His name comes to him for the same reason: fadri means "single" in Valencian, referring to being alone and separated from the cathedral.
It is a building made in Valencian Gothic style, octagonal, with four bodies that correspond to the clock chamber, the prison, the bell house and the bell chamber (it has eight dump bells and three fixed ones located in the spire to indicate the rooms and hours). Finally we find a terrace topped by a temple. Inside there is a narrow spiral staircase that allows access to each of the floors. Its height is about 58 meters.
His works began in 1440. In 1457 Master Saera intervened building approximately the first body. After a long stoppage and several proposals in 1593, the Francisco Galiança de la Lancha, Guillem del Rei, Pedro Crosali, Marc Volsanys, Antonio and Joan Saura tower intervened and finished; according to the traces presented by the Portuguese Damián Méndez in 1591.
The Fadrí is currently the symbol of the City of Castellón.

The co-cathedral of Santa María, also called the church of Santa María la Mayor in Castellón de la Plana (Spain) is a Valencian Gothic style temple with subsequent historicist interventions and in neo-Gothic style. It is located in the Plaza Mayor, next to the Town Hall and the independent bell tower known as El Fadrí.
The construction of the temple begins at the end of the 13th century. Destroyed by a fire, the works are resumed in the mid-fourteenth century, being expanded in the early fifteenth century by the master of works Miguel García de Segorbe, and the temple was consecrated in 1549.
The plant was of a single ship divided into five sections, pentagonal apse with two lateral chapels and a central for the choir, as well as chapels between the buttresses, covering with cross vaults on the sections and with a starry vault on the apse.
The temple had three covers: two lateral ones, located in the third section of the ship, and another in the main facade, being these together with some keys, the only elements conserved in its reconstruction.
In 1662, with traces of Juan Ibáñez, the chapel of the Communion of the Greek cross plan and covered with a dome in the center and vaults of half-barrel in arms, which opened in the section of the feet on the side of the Epistle, was built .
The co-cathedral of Santa María, declared in 1931 National Historic-Artistic Monument, was set on fire on July 24, 1936 in the early days of the Civil War and demolished months later by a municipal agreement. Its reconstruction, begun in 1939 from a project by Vicente Traver Tomás based on the traces of the disappeared temple, ended in 1999.

The current temple that occupies a complete block has a Latin cross plan with three naves and a pentagonal apse. The central nave is highlighted with octagonal pillars, from which the fajones arches start. The ships are covered with a ribbed vault, the one with the half-star header and the cruise, with dome, also covers with a starry vault.

The Plaza de la Independencia (popularly known as La Farola) in Castellón de la Plana, forms the link with the Mijares Round and the Magdalena Round, connecting them and opening them to the center of Castellón.

The Post Office Building in Castellón de la Plana (Spain) located in the Plaza de Tetuán, is an administrative building opened in 1932, designed by the architects Demetrio Ribes Marco and Joaquín Dicenta Vilaplana. Its architectural style is Valencian and Neomudéjar modernism.
Located in a strategic point of the urban network of Castellón, with the Avinguda de Jaime I to the south and the Tetuán square to the north, its implementation as an exempt building is reinforced by a volume of three floors with the four rounded corners that produces a very image unitary and of great forcefulness.
The initiative of the post office building in Castellón is part of a 1909 state program, which was intended to provide each of the provincial capitals with a new building for this activity.

The Academia la Purísima building, located on Enmedio street number 148 of the city of Castellón de la Plana (Spain) is a multi-family residential building in a modernist style built in 1915, designed by the architect Godofredo Ros de Ursinos or his son Luís Ros of Ursinos, his authorship is still doubtful. His architectural style is Valencian modernism.

The building for the transformer of the company Viuda de Estela is located on Calle Luís Vives number 15, in the Ensanche area of Castellón de la Plana (Spain), occupying a plot between medians. It is a small industrial building in Valencian modernist style dating from 1914, designed by architect Lluis Ros de Ursinos.

The Casa de les Cigonyes is located in the Plaza de la Independencia number 7 of Castellón de la Plana, Spain, in a characteristic environment of the city.
This multi-family residential building is part of a set of buildings built at the time of great architectural value that define a canvas facade reflecting the architecture of the early century in Castellón. The situation of the building in the surroundings of the square makes it perceived from numerous perspectives, not going unnoticed by its striking colors and its great architectural value.
The house of "Les Cigonyes" is perhaps the most remarkable in the environment for its colorful language of Valencian modernist character. This building, built in 1912, is attributed to the Castellón architect Godofredo Ros de Ursinos.

The old Casino located in the urban space called "Puerta del Sol" in the downtown area of Castellón de la Plana, Spain. It was built in 1923, being the architect Francisco Maristany Casajuana.
The building is the headquarters of an entity formerly called "Casino de Castellón", founded in 1814. Its president was the Baron de Benicasim and the first headquarters was located in his own house, Calle Caballeros No. 20. In 1876 he took the place current with the new denomination of "Casino Antic". This leisure place is used in numerous public and private events for meetings and banquets.
The building occupies a large plot with a facade to the "Puerta del Sol" and Enmedio Street. It responds to the transformation of an old 18th-century building, the Palacio de los Tirado, with a certain country house air and poor exterior appearance. It is the result of a contest called by the City Council of Castellón won by the project presented by Joaquím Moragas and Francesc Maristany. This project proposed a new interior layout and an important external action.

The building of the Bank of Castellón located in the C / Trinidad of the city of Castellón de la Plana (Spain) is a bank headquarters currently of the Bank of Valencia, which was built in 1923, the work of the architect Francisco Tomás Traver.
In 1920, the Mercantile Circle launched the initiative for the new Banco de Castellón. Once constituted and with Mr. Enrique Gimeno Tomás as chairman of the Board of Directors, the entity acquires the land where the new building on the site occupied by the Railroad Inn was built.
The Puerta del Sol, where the construction is located, will be the new economic and social center of the city since the beginning of the twentieth century, confluence of roads from other locations and meeting place social with its various cafes, hotels and inns. It will be constituted as an urban environment with buildings of relevant architectural interest.

The Castellón Museum of Fine Arts, located in the city of Castellón de la Plana, (Spain), is a building designed by Mansilla + Tuñón Arquitectos, which has been recognized in numerous national architecture awards, such as the Prize for Architecture FAD 2001, the Excellent Work Award of the year 2001 granted by the Promotion of Construction and Contracts, and the Architecture Award 1999-2000 of the COACV (Official College of Architects of the Valencian Community). He has also been a finalist in 2001, of the Mies van der Rohe Prize for Contemporary Architecture of the European Union, and in that same year finalist in the III Ibero-American Biennial of Architecture and Urbanism.

The Convent of the Precious Blood, of the Capuchin nuns, located in Núñez de Arce 11, in Castellón de la Plana, in the Plana Alta region, is a complex formed by the convent building, the church and the garden , cataloged, in a generic way, as a Local Relevance Good, according to the Fifth Additional Provision of Law 5/2007, of February 9, of the Generalitat, of modification of Law 4/1998, of June 11, of Heritage Cultural Valenciano (DOCV No. 5.449 / 13/02/2007), with code: 12.05.040-002.

The Convent of Our Lady of Carmen, of the Order of the Barefoot Carmelites, located on Ros de Ursinos Street, 47, in Castellón de la Plana, in the Plana Alta region, is a set cataloged, in a generic way, as Good of Local Relevance, according to the Fifth Additional Provision of Law 5/2007, of February 9, of the Generalitat, of modification of Law 4/1998, of June 11, of the Valencian Cultural Heritage (DOCV No. 5.449 / 02/13/2007), with code: 12.05.040-029.
It belongs to the Diocese of Segorbe-Castellón.
During the V anniversary of the birth of Saint Teresa of Jesus, the temple was considered as a jubilee.

The Church of the Purisima Sangre, located right in the center of the city of Castellón de la Plana, in the Plana Alta region, is a place of Catholic worship cataloged, in a generic way, as a Local Relevance Good, according to the Fifth Additional Provision of Law 5/2007, of February 9, of the Generalitat, of modification of Law 4/1998, of June 11, of the Valencian Cultural Heritage (DOCV No. 5,449 / 13/02/2007), with code: 12.05.040-007.

The Church of San Agustín Obispo, located on the 82nd Street of Castellón de la Plana, in the Plana Alta region, also known as the Church of the ex-convent of San Agustín, is a building cataloged, in a generic way, as a Relevance Asset Local, according to the Fifth Additional Provision of Law 5/2007, of February 9, of the Generalitat, of modification of Law 4/1998, of June 11, of the Valencian Cultural Heritage (DOCV No. 5,449 / 13/02 / 2007), with code: 12.05.040-008. It belongs to the Diocese of Segorbe Castellón.

The Church of San Miguel, located in the street of Enmedio, 17, of Castellón de la Plana, in the Plana Alta region, currently converted into the Cultural Center of the Caja Castellón Foundation, is a building cataloged, in a generic way, as Good of Local Relevance, according to the Fifth Additional Provision of Law 5/2007, of February 9, of the Generalitat, of modification of Law 4/1998, of June 11, of the Valencian Cultural Heritage (DOCV No. 5.449 / 02/13/2007), with code: 12.05.040-012.
It is a small building dating from the 18th century (erected by the bishop of Barcelona José Climent in 1793), with a single nave floor, high choir at the foot of the floor and poor baroque interior decoration , among which the main altar of the Espinosa school stands out.
It is currently used as an exhibition hall of the Caja Castellón Foundation.

The Church of San Nicolás de Bari, located on Calle Alloza, 143; former street of “Amunt”, in Castellón de la Plana, in the Plana Alta region, also known as the hermitage of San Nicolás de Bari, is a building cataloged, generically, as a Local Relevance Good, according to the Additional Provision Fifth of Law 5/2007, of February 9, of the Generalitat, of modification of Law 4/1998, of June 11, of the Valencian Cultural Heritage (DOCV No. 5,449 / 13/02/2007), with code : 12.05.040-030.